East Hampton, NY
I was very fortunate to have known Arnold Newman. As a teenager his work fueled my earliest interests in photography. When Arnold presented me with a signed print of Igor Stravinsky at the Piano inscribed, “To my friend Dano” I not only felt incredible gratitude to receive one of the industry’s most iconic images, but a feeling that I was somehow connected to Arnold’s amazing world of Long Island artists.
Arnold set out to be a painter but when money became tight during the depression, he discontinued his studies and found work as a photographer. But he maintained connections to the world of modern art and told me stories of how friends in Cape Cod and Long Island would trade works or sell art to each other for small amounts of money. Arnold swapped work with struggling artists such as Mondrian! I distinctly remember Arnold telling me that one of his friends offered to sell him a painting for $300. That friend was Jackson Pollack. While that painting today is worth Millions, Arnold told me,”$300 was a lot of money back then”. So while Arnold declined the offer, he was able to photograph Pollack at his studio in East Hampton.
That studio, which is a very modest and poorly lit barn, celebrates the work of Pollack by leaving the floor in the same state as it was upon Pollack’s death. Visitors put on special slippers to avoid scuffing what is in many ways an archeological dig of modern art. It not only connects the visitor with Pollack, but with the Hampton artists’ community which included DeKooning, Motherwell and Rothko. It helped me reconnect with my old friend Arnold Newman and what it must have been like during that amazing period of creativity.